Absentia (2011) 
Dir. Mike Flanagan
Written by: Mike Flanagan
Starring Katie Parker, Courtney Bell, Dave Levine, with Doug Jones
Wow,
 this one really blew me away. On a micro-budget (principal photography 
was financed through kickstarter, if you can believe it) writer/director
 Flanagan creates something truly unusual and scary which far surpasses 
nearly every other film I’ve seen this month. The story concerns 
early-30s Tricia, whose husband Daniel vanished without a trace seven 
years ago. She’s visited by her recently-gone-clean-and-found-Jesus 
fuckup druggie younger sister, who is trying to help her move on and 
restart her life. And there’s a creepy tunnel just outside her generic 
apartment building* that little sis likes to jog through. What follows 
has elements of classic monster movies and the vibe of a particularly 
dark OUTER LIMITS episode, but goes beyond those tropes by successfully 
parlaying Tricia’s tense social situation into a rich vein of emotional 
horror. 
ABSENTIA’s
 tiny budget does hold it back in small ways -- the more conventional 
horror imagery is generally kept hidden and very successfully creeps you
 out through the suggestion of what’s lurking in the shadows, but at 
least on one occasion probably shows you a little too much for it to get
 away with. And although the acting (by a cast of complete unknowns, 
but including a cameo by Ape Sapian himself, Doug Jones) is uniformly 
quite good, there are a few moments when the film’s nightmare-realism 
visual style doesn’t quite work with the more typical movie dialogue 
(particularly true when younger sis comes up with a typically 
unsupported crazy movie theory and tries to convince everyone else of 
it). 
But
 really, those are minor quibbles in a movie this good. ABSENTIA has a 
steadfastly serious tone, a genuinely depraved imagination that never 
resorts to cheap shock tactics, and an unusually deft sense of the 
importance of human emotions and relationships in evoking truly deep 
horror. It’s almost Lovecraftian in it’s conjuring of ancient, 
unknowable forces working against humans for incomprehensible, terrible 
purposes -- but it’s the human moments which anchor it and marry the 
deep psychological dread with an all-too-familiar human despair and 
fragility. Next time this guy Flanagan has a kickstarter campaign, I’ve 
got my cash ready to go. Unless it’s a project to build a bunch of 
creepy tunnels, in which case, fuck that. No tunnels for me for awhile.
*A minor thing, but one which I really liked, is the shitty, generic apartment complex Tricia lives in. We've all lived in one of those at one point, right down to those vertical slatted plastic blinds over the sliding door -- but how often do you see on in the movies? It's a good visual reminder that this movie takes place in the same mundane shitty world that most of us inhabit, which makes its nightmare turn all the more disturbing. Plus I'm betting it was cheap to shoot there.
 
PS: Of course you won't have the full story until you check out Dan P's alternate take.



My money's on "it was the director's apartment."
ReplyDeleteBut yeah, this was a really good one. The relationship/dialogue between the sisters was particularly natural, and it was as much about the horror of not having closure that makes a tragedy even more jarring to the narrative of your life, as it was the horror of the crazy thing making people disappear. And I agree that I would've been happier had I never even caught a glimpse of it at the end (though that's all it offers us--honestly, seeing it move behind the walls was creepy enough, and I would've been happy if they left it at that and some creepy noises).