Showing posts with label TIBOR TAKACS. Show all posts
Showing posts with label TIBOR TAKACS. Show all posts

Tuesday, September 27, 2016

Spiders 3D

Spiders 3D (2013)
Dir. by Tibor Takács
Written by Joseph Farrugia, Tibor Takács, Boaz Davidson, Dustin Warburton
Starring Patrick Muldoon, Christa Campbell, William Hope





That this no-budget bargain-basement-CG Bulgarian-shot giant-spiders-vs-tanks opus is chintzy and idiotic should come as a surprise to no one. This is not a film which you can reasonably watch and then complain to your friends that it was unrealistic and that the stilted acting and inconsistent character motivation really made it hard to connect with the drama. Those things may be true, of course, but the problem is not the product, the problem was your expectations. It’s like complaining that Taco Bell’s flavor-basted doritos locos lack a sense of authentic Mexican regional cuisine. You did not choose to watch THE VVITCH. You chose to watch SPIDERS 3D. You knew what you were doing.


Fortunately, SPIDERS 3D also more or less knows what it’s doing, or at least it gets the job done by accident within acceptable parameters. This is a goofy, blessedly stupid b-movie creature feature which flits from one ridiculous plot turn to the next with the consistency of a game of drunken telephone in a loud bar among fifteen or so people who don’t speak the same language. But at least it does so in the service of stringing together as many scenes as possible which feature cartoony CG spiders eating people. If that’s what you would like to see, SPIDERS 3D will deliver that function with at least a minimal competency (in 3D where available!). If not, how in the hell did you end up watching a movie called SPIDERS 3D in the first place? I mean, it’s not like Hollywood rammed this one down your throat with 18 months of grueling advertising and inescapable commercial tie-ins. No, you had to find this one yourself. And it tells you exactly what it offers right there in the title. It offers exactly that, and nothing more.


I can’t really imagine there will be a lot of people who are ultimately glad they made the effort, but as far as brainless, unimaginative creature features go --and I label it such mostly affectionately-- this is probably in the middle of the pack. In most ways it’s noticeably more watchable than the majority of SyFy channel efforts in a similar vein, though unmissably inferior to even nominally real movies like EIGHT LEGGED FREAKS (though at least those SyFy ones got the idea of sweetening the pot by crafting their own melange of boutique CG monsters, like SHARKTOPUS and probably LEOPARDILLO by now. Say, has anyone ever done a NIGHT OF THE LEPUS-style creature feature about killer armadillos called ARMADILLO ARMAGEDDON? They should).




Anyway, that’s what’s being offered here; just a breezy hour 29 minutes of goofy nonsense and corny-looking CG spiders eating people. That’s what you get, take it or leave it. If you would enjoy that sort of horseshit, SPIDERS 3D has it, though not always in a high enough dose or in a creative enough combination to distinguish itself amongst a rather crowded menagerie of similar efforts which offers significantly better options (though few indeed that would rise to the level of “good” when compared to a real movie)


Still, there’s some ironic enjoyment to be had here, which is a rare enough thing in the mostly-grimly-serious modern horror scene that it offers some slight charm. Hilariously daffy lines readings abound (“but, dad, it’s, my, birthday,” says our on-screen daughter, clearly the niece of a producer) in a world which perpetually threatens to plunge headfirst into open camp without ever quite ruining things by doing so. Most of the cast is too bland to really take this opportunity as an excuse for some hammy overacting, but at least you’ve got Pete Lee-Wilson (BLADE 2!) as an eccentric spider-obsessed Russian scientist. In a better world he’d be played by Peter Stormare, of course, but we do not live in that world.


Speaking of which, as you probably already imagined, this is exactly the kind of movie which would have an eccentric Russian scientist character, and also certainly a “Col. Jenkins,” plus the obligatory regular-guy blue collar hero and his powerfully dull family who are going to be brought together by this crisis (Patrick Muldoon, STARSHIP TROOPERS, Christa Campbell, DRIVE ANGRY, Sydney Sweeney, THE WARD). It’s not a script which is much interested in tweaking with conventions. In fact, it’s such a natural extension of 1950’s nuclear monster/ giant bug movies that one can’t help but wonder if the script (credited to an unbelievable four writers, including director Takács and longtime Hollywood hustler/Golan-Globus co-conspirator Boaz Davidson) was just found behind some old boxes in a warehouse and brushed up to include the word DNA and delete any stray references to Communism or Beatniks. Hell, they even waited long enough that the Russians can be the bad guys again!

Incidentally, this is the second movie in a row I've watched where Soviet-era space experiments falling to earth have created giant people-eating mutant monster hybrids. Is this something I ought to worry about?

Allow me to explain: because it would be impossible to come up with a movie where killer spiders eat people and not use four movies’ worth of plots to explain it, it seems that 20 years ago... Russians found an alien spaceship “under the ice” and decided the best course of action would be to reconstitute alien DNA in the form of modern animals, why not? And for some reason reconstituting alien DNA apparently worked best in spider bodies, which they then shot into space so they could harvest their harder-than-steel webbing for the kind of fearsome game-changing military advantages that only very tough spider webs could provide (this supposedly impervious webbing later proves surprisingly easy for a child to tear apart, but nevermind that). Then nothing happened for 20 years. But now, the Russian spider-space-alien-web experiment has fallen back to Earth, and the spiders are going to take over (where else?) a part of New York City which looks somewhat like Bulgaria. Granted, all that makes perfect sense. But there’s also a US military conspiracy of, I guess, spider collaborators, to cover up the killer spiders by claiming there’s actually a deadly plague on the loose and murdering everyone who knows the truth! Damn their oily Spider-collaborating hides! But you do have to admire their optimism that a swarming army of rampaging murderous giant alien spiders could be mistaken for a viral outbreak, by anyone, anywhere. I mean, I’m no trained scientist, but I’m convinced I could pick out the difference. Anyway eventually our hero Patrick Muldoon has to kill a giant alien queen spider with a train, obviously, and that seems to solve it, whatever was going on.


OK, not the most elegant plot for a movie whose only purpose is to deliver killer spiders (wait, did you catch that? Killer alien spiders! Talk about burying the lead!) and honestly that still leaves out most of the main characters and huge chunks of plot. The wikipedia plot description is well in excess of 1000 words, making it longer than Symbols and Signs by Vladimir Nabokov, A Very Old Man With Enormous Wings by Gabriel Garcia Marquez, George Orwell’s widely-read Shooting An Elephant, and of, course, Hemingway’s beloved The Snows of Kilimanjaro. You can look at that as a tiresome failure of storytelling, or you can just have fun with its freewheeling kookiness. Your choice; obviously I made mine long ago. If you’re inclined to have fun with it, something ridiculous is almost constantly happening, and goofy-looking CG spiders are almost never far from the screen, so while I acknowledge that this is fundamentally indefensible from any imaginable artistic standpoint, I also can’t quite find it in my heart to complain. If anything, it ought to have pushed just a little further into full-on dada. We were so close!




The “spiders” themselves have an agreeably funny not-really-very-spider-like design, but they move badly, it’s immediately obvious they don’t walk like real spiders (which is 90% of spiders’ real-life creep factor and completely absent here). How is it possible that in 2015 we haven’t figured out how to make insects consistently look like they’re walking naturally? I mean, footage of real spiders exists, guys. Look at that, and then look at what you’ve done, and try and tell me this is even a reasonable approximation. These spiders look like they really don’t know what to do with all those legs and are constantly trying to figure out which one needs to move next. I guess maybe the fact that they’re alien spiders explains it? This is awkward for them, too. Anyway it’s pretty funny-looking, and fortunately the movie compensates for its dodgy CG and uncoordinated walking by offering plenty of the title character, even if near the end it unforgivably cuts away from a military-vs-huge-spider city-street dustup to halfheartedly pretend we care if these bland morons are going to find their daughter somewhere underground (we don’t, and incidentally all she had to do to avoid this situation was nothing, apparently a task which was too difficult for her). It’s not really imaginative enough to think of any really outrageous hijinks --either cool or hilarious--, but it moves along at a decent pace and you can’t fault its consistency as a generic spider-delivery system.


This is not a good movie, obviously, and in fact I think it’s a distinct possibility that it’s not even as good as the director’s other giant spider movie, 2007’s ICE SPIDERS (which now that I look, also stars Patrick Muldoon. Wait, is this a sequel? I can find no evidence that it is). But SPIDERS 3D was never going to be good, the best it was ever conceivably going to be was fun, which I guess it sort of is in a dumb time-wasting lazy hungover Sunday afternoon kind of way. The only thing that makes it kind of a bummer is the director -- Tibor Takács was at one point in his career actually capable of directing horror movies which were both fun and good, like I, MADMAN and THE GATE. OK, he never had the most distinguished career (good lord, he directed two episodes of Police Academy: The Series! That has to be the saddest sentence I’ll type all day) but seeing him reduced to this kind of adorably incompetent non-movie is a little disheartening. Even as recently as 2005, his SyFy Channel MANSQUITO kind of resembled a real movie while still being ludicrous fun. Not so here; you’d never guess the guy who made SPIDERS 3D ever had the slightest actual artistic inclination. He doesn’t even get cute with the 3D or anything; this is generic hack work through and through, but with 3D spiders. But oh well, if brisk, silly creature features are your thing, this one is mostly eventful and enthusiastic enough to get the job done.




CHAINSAWNUKAH 2015 CHECKLIST!
Play it Again, Samhain


TAGLINE
Eight Legs. Three Dimensions. One Disaster.
LITERARY ADAPTATION
None
SEQUEL
None, unless it actually is a sequel to ICE SPIDERS. Patrick Muldoon has a different name, though, so I’m thinking not.
REMAKE
None
DEADLY IMPORT FROM:
Shot in Bulgaria, but it looks like an American crew.
FOUND-FOOTAGE CLUSTERFUCK
None.
SLUMMING A-LISTER
None.
BELOVED HORROR ICON
Tibor Takács?
NUDITY?
Nah.
SEXUAL ASSAULT?
No
GORE?
PG-13
HAUNTED HOUSE?
No
MONSTER?
Spiders, some very large
UNDEAD?
No
POSSESSION?
No
CREEPY DOLLS?
No
EVIL CULT?
No
SLASHER/GIALLO?
No.
TRANSMOGRIFICATION?
Dessicated corpses? Alien-Spider DNA hybribs!?
VOYEURISM?
Nah


OBSCURITY LEVEL
Rightly obscure.
MORAL OF THE STORY
There’s seriously got to be an easier way to get really strong threads.
TITLE ACCURACY
Well, by the time I saw it the 3D was gone, but “SPIDERS” by itself doesn’t have the same cache. Also, shouldn’t the title mention they’re aliens?
ALEX MADE IT THROUGH AWAKE?
N/A

A somewhat affectionate 2, but I can't in good conscience go any higher.

Friday, October 5, 2012

The Gate

The Gate (1987)
Dir. Tibor Takacs
Written by: Michael Nankin
Starring a very young Stephen Dorff, others, claymation



This is an early and surprisingly assured work from noted I, MADMAN and MANSQUITO director Tibor Takacs, who has made a career out of directing crappy, brainless genre movies which end up being much better made than they have any right to be, like a crazy reverse Larry Cohen. THE GATE is a little better written than things like, say, ICE SPIDERS or NYC: TORNADO TERROR, but it’s really the confident, Spielbergian direction that makes it worth remembering today. Well, that, and some always-enjoyable 80s stop-motion critters and their shenanigans.

The plot concerns a young brother and sister, left alone for the weekend, who encounter some trouble with a particularly aggressive sinkhole in their backyard. It’s the kind of sinkhole which is constantly spewing dry ice fumes, and possibly connects to an alternate dimension from which a master demon can emerge to destroy the Earth. So there’s that. The kids have to figure out what’s going on and how to stop it or the world will end and their parents are gonna be pissed.  

Stepehen Dorff would go on to be in BLADE and the best I'd do is "nerdy kid" [uncredited] in DETROIT ROCK CITY?


Takacs wisely keeps the tone light, but is also wisely unafraid to put his kids through the wringer by the end of the film. It’s gentler than the also PG-rated POLTERGEIST, but successfully conveys the long odds against the protagonists surviving this encounter with the supernatural. The film’s confidence seems to come from a clear sense of what it wants to be: a kinetic creature feature which is fun enough for kids but not interested in coddling them. At one point our prepubescent protagonist has to gouge a creepy demon eyeball out of the palm of his hand. Probably won’t see that in a Hannah Montana movie (unless she follows my advice and does right by God and this great nation by making I KNOW WHO KILLED ME AGAIN*). It also has the guts to take its characters and their relationships seriously while still having fun with them. Main kid Stephen Dorff has a friend named Terry who seems a little off -- we learn it’s because his mom recently died and his father is gone most of the time. It makes it both sadder and funnier when we later encounter him rocking out to 80s hair metal... while wearing a rainbow blanket as a cape.

But who gives a fuck about the kids’ feelings when there are a couple awesome stop-motion monsters running around? Glad you asked that question, the answer is nobody. And on that front, THE GATE generously provides. There is an army of little minions that look kind of like tiny versions of the demigod memorably voiced by Craig T. Nelson in the that classic porno/science fiction masterpiece FLESH GORDON. Some demonic bed-lurkers who never show their faces. And a massive multi-limbed elder demon which looks bizarre and impressive even by today’s jaded, CG saturated standards. Beyond that, you’ve got a few fun ideas bouncing around: I love that when they can’t find the proper magic words to close the titular gate, they try reading the bible, and when it’s too smoky to read they just throw it down the hole, where it explodes like grenade. That’s the kind of old tyme religion they don’t teach in seminary school.



It’s probably better to see this as an actual kid if you have any hope of getting scared by it and remembering it fondly as an adult and then getting arrogant and deciding to ruin everything you love by making a clueless remake instead of getting your act together and forcing Keanu Reeves to help you make a third BILL AND TED, which unlike a new GATE movie would actually honor your roots instead of needlessly perverting them with enormously misguided remake attempts, Alex Winter. But even if you’re not a kid or one or more of the stars of BILL AND TED, I think you’ve got to admire the craftsmanship, clarity of vision, and innocent fun which can be found here in spades.** I don’t know if Takacs is still putting the same amount of effort into his filmmaking (his next one is the unimaginatively but informatively named SPIDERS 3D) but at least back here at the start of his career, he made a truly top-tier fun horror movie which delivers the good without going too far for kid or talking down to them, and thus probably inspired a whole generation of new genre fans. The gate, indeed.     


CHAINSAWNUKAH 2012 CHECKLIST!

LOVECRAFT ADAPTATION: No.
BOOBIES: No, you pervert.
> or = HERSCHELL GORDON LEWIS LEVEL GORE: Nah, that eyeball stabbing thing is gnarly though.
SEQUEL: No, but it has one: THE GATE 2.
OBSCURITY LEVEL: Mid. Sort of beloved amongst a certain set, but little known elsewhere.
MONSTERS: Oh yeah, some great ones.
SATANISTS: Using the Bible seems to work against the Gate, but no specific Satanists.
ZOMBIES: Yeah! They throw one in there for the last act. A nice gesture.
VAMPIRES: None.
SLASHERS: No.
CURSES: None.
ALEX MADE IT THROUGH AWAKE: Not even close.

*Possible subtitle: PORT OF CALL NEW WHORELEANS

**Not a pun on the fact that this movie is about a big hole.